Secure Channel 12
by
Sare Liz
Disclaimer: Belong to Stan Lee.
Dedications: To Jenn, who egged me into writing this, after I announced that my muse wanted Phone Sex, like, now.
Author's note: I'm taking a huge liberty in technologies. Trust me. If I had it my way it would be too technical and barely readable - no punctuation or gist of feeling, but I'm thinking Ole Chuckles has the best of the best, and I figure y'all wanna know what I'm talking about. Rogue's accent disappeared once the computer translated the transcript, as did Logan's. Sorry. Use your imagination.
Scott always checked over the equipment the day after it was finished being used. It was almost a relaxing task, to be mindlessly going through the motions, alert enough to catch anomalies, but only just.
He kept a log, of course, a digitized transcript of the conversations that went on during missions. He wouldn't keep them forever, mind you. Maybe five or seven years - no longer than you keep tax records, really. It was a helpful learning tool, sometimes, to go back over what was said via the communications links. Find strengths, weaknesses - altogether normal things for him to do. After all, he was the leader, and in the end, responsible for them all. No one would get hurt because he could have done a better job, not now, not ever.
It was when he was checking over one such transcript that he finally noted a seemingly innocent anomaly in Rogue's communication log, timestamped five hours after the last communications.
For the longest time Scott sat in the war office, entranced.
* * * * *
< 23:XX:XX, COMM LINK AUTOACTIVATION, SECURE CHANNEL 12 REQUESTED >
< 23:XX:XX, COMM 15: CODE Wolverine > Rogue. Come in, Rogue. This is Base, over.
< 23:XX:XX, 8 > Hey, sugar. Secure line or formal communication?
< 23:XX:XX, 15 >Secure. How'd everything go?
< 23:XX:XX, 8 >You just got back, didn't you, sugar?
< 23:XX:XX, 15 >Yea. Me and Ro got in about a half hour ago. No problems here. You?
< 23:XX:XX, 8 >Ah, well, me and Jean didn't have the best of times down here, but first contact was made and we're talking with his family. Jean thinks maybe one more day.
< 23:XX:XX, 15 >Yea, sounds like the kid needs Chuck's help. Family not seeing it that way?
< 23:XX:XX, 8 >Well, the family is strange. Kind of reminds me of the mafia movies.
< 23:XX:XX, 15 >In New Orleans?
< 23:XX:XX, 8 >Yea.
< 23:XX:XX, 15 >You be careful, kid.
< 23:XX:XX, 8 >I promise to be as careful as you'd be.
< 23:XX:XX, 15 >You'd better be more.
< 23:XX:XX, 8 >Alright I'll be more.
< 23:XX:XX, 15 >You still there, Marie?
< 23:XX:XX, 8 >Yea.
< 23:XX:XX, 15 >You should sleep. I'll let you go.
< 23:XX:XX, 8 >No, wait. Not just yet. I mean, I've tried. I can't. Besides, I
< 23:XX:XX, 15 >What is it, darling?
< 23:XX:XX, 8 >Aw, damn. It's silly. Nevermind. Just don't go. Not yet.
< 23:XX:XX, 15 >I won't darling, but what's on your mind?
< 23:XX:XX, 8 >I'm just lonely, I guess.
< 23:XX:XX, 15 >Ain't Jeannie around?
< 23:XX:XX, 8 >In the next room down, but that's not what I mean.
< 23:XX:XX, 15 >Ah.
< 23:XX:XX, 8 >Yea.
< 23:XX:XX, 15 >Sorry, darling.
< 23:XX:XX, 8 >Yea, me too. And it's just. It's been a real long time since I've had to sleep by myself.
< 23:XX:XX, 15 >What about when I was in the medlab?
< 23:XX:XX, 8, s:laugh >I didn't sleep, sugar.
< 23:XX:XX, 15, s:growl >Marie.
< 23:XX:XX, 8 >Oh, gimme a break, you big lug. You'd have been worse.
< 23:XX:XX, 15 >Not the point.
< 23:XX:XX, 8 >You're right, so don't yell at me now. Yell at me later when we can make up properly and piss off Scott with the noise.
< 23:XX:XX, 15 >Damn it, Marie. With visions like that I'll never sleep.
< 23:XX:XX, 8 >You think I'm doing any better? Only fair we're both awake and wanting. Besides, I miss curling up next to you.
< 23:XX:XX, 15 >I miss a lot of things, darling. That's definitely one of them.
< 23:XX:XX, 8 >And, I miss your arm around my waist keeping me close to you. And your hand stroking my stomach lulling me into the nicest most dreamless sleep on Earth. I'll probably have nightmares tonight, without you here.
< 23:XX:XX, 15 >Hey. Don't talk like that.
< 23:XX:XX, 8 >It's the truth, Logan. For almost two years I haven't had them. That's all you.
< 23:XX:XX, 15 >>I love you, Marie.
< 23:XX:XX, 8 >I love you too, sugar.
< 23:XX:XX, 8 >>You gonna bail on me after all?
< 23:XX:XX, 15 >Nah. Just getting back to our room. That's all.
< 23:XX:XX, 8 >>You're in bed now, aren't you?
< 23:XX:XX, 15 >Yep.
< 23:XX:XX, 8 >Damn, Logan. I haven't missed you this much in years. I feel like it's a crush all over again.
< 23:XX:XX, 15 >Ain't a crush this time. And you're no little school girl either.
< 23:XX:XX, 8 >I thought guys in general were into that.
< 23:XX:XX, 15, comm indis >Marie.
< 23:XX:XX, 8 >So, if I showed up in a little Catholic school girl's uniform, it would have absolutely no effect on you?
< 23:XX:XX, 15 >Damn it, Marie.
< 23:XX:XX, 8 >What?
< 23:XX:XX, 15 >You really want to go there?
< 23:XX:XX, 8 >Sugar, I'm already there.
< 23:XX:XX, 15 >Damn I'm glad I'm in our room now.
< 23:XX:XX, 8 >Yea, wouldn't want someone walking in on you jerking off.
< 23:XX:XX, 15 >For a southern girl, you have no class, darling.
< 23:XX:XX, 8 >Oh, like that's a turn off for you. Besides, my lack of class is entirely due to your influence, sir.
< 23:XX:XX, 15 >You blaming your corruption on me, girl?
< 23:XX:XX, 8 >Well, let me think here. Before you I was innocent. After you I wasn't.
< 23:XX:XX, 15 >A little more to it than that, I think.
< 23:XX:XX, 8 >Yea, but none of it half so nice as impure thoughts of you, sugar.
< 23:XX:XX, 15 >Can I take that as a complement then?
< 23:XX:XX, 8 >Would it stop you if I said no?
< 23:XX:XX, 15 >Probably not.
< 23:XX:XX, 8 >Your ego doesn't need me.
< 23:XX:XX, 15 >My ego thrives on you, darling. Without you it wouldn't exist.
< 23:XX:XX, 8 >Really?
< 23:XX:XX, 15 >Yea, really.
< 23:XX:XX, 8 >That's sweet, Logan.
< 23:XX:XX, 15 >I try. For all the good it gets me with you so damn far away.
< 23:XX:XX, 8 >Well now sugar, I know I'm not there and all, but.
< 23:XX:XX, 15 >You trying to proposition me, darling?
< 23:XX:XX, 8 >Maybe. Is it working?
< 23:XX:XX, 15 >It's completely unnecessary baby, but yea, it's working like a charm.
< 23:XX:XX, 8 >Unnecessary? Well if you don't want to.
< 23:XX:XX, 15 >Not what I meant.
< 23:XX:XX, 8 >You sure?
< 23:XX:XX, 15 >You cannot image how sure I am, Marie.
< 23:XX:XX, 8 >Ten inches of sure?
< 23:XX:XX, 15 >Not yet, but you keep talking and we'll see what happens.
< 23:XX:XX, 8 >Ooo, what I would do if I were there.
< 23:XX:XX, 15, s:growl >Don't stop on my account.
< 23:XX:XX, 8 >Well, first I'd wander in wearing an indecently short plaid skirt and one of those button down white shirts, except of course it would be tied in a knot above my belly, and I'd be wearing your favorite bra. And then I'd come in - you lying on the bed, sugar?
< 23:XX:XX, 15 >Sure.
< 23:XX:XX, 8 >Alright, so I'd come in and flash you a smile, putting down whatever it is I'd be carrying.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >And I'd hear ya get all growly, so I'd come on over and say hi. What are you wearing?
< 23:XX:XX, 15 >Sweatpants. And, we're going for ten now.
< 23:XX:XX, 8 >My mouth is watering, sugar. Anything else?
< 23:XX:XX, 15 >This thing in my ear.
< 23:XX:XX, 8 >Gotcha.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >Anyway. So I come on over and crawl up the bed from the foot till I'm straddling you, but you can't move cause I have entirely too much skin showing, and you know it and I know it and you'll just have to sit tight and wait me out.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >I'm on all fours, but then I lean back and I'm skimming those long nails I try so hard to keep up - no gloves, baby - down your stomach as I settle my weight on what I consider the single most funfilled part of your anatomy, rivaled only by your mouth, in case you wanted to know.
< 23:XX:XX, 15, s:growl-indet length, vol inc >
< 23:XX:XX, 8 >Yea, that's what I thought, sugar. So I start rocking a little, just a little at first, but the way your eyes rack over my body, the way you feel beneath me, I'm already starting to get wet, sugar, and I know you can smell me. I know cause when I rock a little harder, you push up against me and damn that feels fine. And then I rock harder, and just a touch faster and decide the shirt has got to go. My black bra is beneath it and I'm nearly falling out of the lace. I know what you want to do, but you can't, not like I am. I feel your hands on my hips instead, not so much pulling me into you as massaging the flannel into my skin. I take a little mercy on you and bend down slowly, my hands above your bare shoulders. Even though I'm horizontal your tag is still between my cleavage, wedged down deep. That's how bad the bra is.
< 23:XX:XX, 15, s:growl, comm indis > Ain't all the bra, Marie.
< 23:XX:XX, 8 >That's sweet of you to say, sugar. Either way, you like what you see because first your tongue flicks out over the lace, then you nip at me real gentle, then you're sucking on me like there ain't no tomorrow. And I can't help but to thrash a little when you do that, cause damn Logan, that's good shit. And I'm a little wild, so those hands on my hips are guiding me more now. You pause for a second to carefully switch breasts so I won't ache later on, and then you're pulling me hard - real hard - down into you. I can tell you want it rough tonight and thinking about that almost makes me come, right then. You know it, I think. You can smell me. But maybe it wasn't just that, cause I'm close to coming anyway. And you keep it up, this wonderful pace you've got going and then I do come, and I'm groaning your name, sugar.
< 23:XX:XX, 15 >Damn straight.
< 23:XX:XX, 8 >And I sit back up slowly - real slowly - cause I'm tired and a little lazy now. And I know you think I'm sexy like this - the way I smell, the sated grin on my face, and cause I wanna give you an extra little thrill, I drag the lace away from one breast and inch the skirt up higher around my bare hips while my other hand is pulling my hair back from my face. I know how I look - a little debauched - and I know you like that, sugar, especially when you're feeling rough.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >Yea, I hear you growling, Logan. I can feel it, too. But I wriggle away from you, sugar, cause I got a plan.
< 23:XX:XX, 15, comm indis >Fuck, Marie.
< 23:XX:XX, 8 >That's the plan. And I can feel your eyes on me as I strip down. First the knee high socks go, then the skirt. The thong is wet as I take it off, but I'm not pausing there. The bra follows it and I'm just nekkid in our room, searching for what I wanna wear tonight.
< 23:XX:XX, 15, s:growl, comm indis >The white one, baby. Please god let it be the white one.
< 23:XX:XX, 8 >Since I'm not completely without heart, I pull out the white one. It takes a minute to put it on, but I know you're watching me and I know you don't mind the wait. And when I come back to you, I've grabbed a half dozen condoms. That's right sugar. I don't want you holding back any. I want it hard and fast and over and over gain. And don't worry none about me being sore - I'm sure I will be, till I kiss you, then I'll be all better.
< 23:XX:XX, 15 >You know I hate when you need to do that, babe. Especially because of me.
< 23:XX:XX, 8 >You also know that I love it when you lose control. And the first time you do it is in my mouth -
< 23:XX:XX, 15, s:growl, comm indis >
< 23:XX:XX, 8 >- cause that's how the first condom gets put on. My throat is relaxed and I've got you all the way in me. All I have to do is swallow a couple of times to make you let go. One of your hands is in my hair, making sure my head doesn't go anywhere, and I'm letting you thrust, and then thrust some more. Control isn't an issue tonight, so you come after only a few minutes - well okay, that's still longer than a lot of men would last, but anyway. That growl I love turns almost into a small roar when you come, and I pull off you and take the condom with me. A quick knot in that baby and I chuck it away, but you're already growling at me cause I'm still somewhere by your knees when I have a body suit on and I could be up there snuggling.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >When I do come up, I'm sliding over you. You're growling and your hands are running all over me now, making up for the lost time when you couldn't touch me hardly at all.
< 23:XX:XX, 15, comm indis >Inside you, baby. Gotta be inside you.
< 23:XX:XX, 8 >You take half a break and quickly put a condom on and slip inside me and I'm beyond ready and it just feels so damn good, Logan. It feels so good because you fill me up so full and tight and you know I just love holding it here, so your hands rove even while your hips are beautifully still.
< 23:XX:XX, 15 >You're the beautiful one, Marie. And you're goddamned gorgeous when you come.
< 23:XX:XX, 8 >You touch me all over and your mouth is latched onto my neck. I can feel your teeth gently digging into me through the fine material and while that wont leave a mark, you start sucking and I know that will cause whenever I come from it, I can always see it in the morning.
< 23:XX:XX, 15, s:growl, comm indis >
< 23:XX:XX, 8 >Your tongue soothes the area and your hands are stroking down my side and just above the curve of my ass where I'm so sensitive I can't stop shivering. I'm moaning and writhing and I can't concentrate on anything so you roll us over and the waiting is over. Your teeth are just gently latched on to my neck and your forearms are braced above my shoulders. I wrap my legs around your waist in anticipation of the first thrust and in only a moment I get the sensation overload. The first thrust is hard and my scream is involuntary. I know you like it loud, but most of the time I do try to be considerate of the rest of the house. But tonight I don't think I'll care at all about it.
< 23:XX:XX, 15, comm indis >Oh, fuck yea, baby. Wanna hear you scream, just for me.
< 23:XX:XX, 8 >The second thrust is harder and it hurts so good I think I'll go out of my mind.
< 23:XX:XX, 15, s:growl, comm indis >
< 23:XX:XX, 8 >The third thrust and I have to arch my back into even as my legs squeeze you tighter to me. I'm moaning and whimpering and screaming your name and every time you penetrate deep into me it's just as strong as the last, you're not tiring and at this point neither am I, even if I'm near another peak.
< 23:XX:XX, 15 >Come on, Marie, come for me.
< 23:XX:XX, 8 >I can hear you snarling into my neck as I moan and your hips jackhammer into mine, and oh Logan, I love it when you come fast because then you'll come over and over again and I won't be alone in my euphoria.
< 23:XX:XX, 15, s:growl, comm indis >Fuck all, Marie.
< 23:XX:XX, 8 >Oh, fuck I know. I know, baby, I know. And then we're done with that and there's a fresh condom and you've flipped me around and pulled me to the edge of the bed. I'm barely able to stand, but you're hard again and soon I don't have to carry all my own weight cause you're inside me again, from behind this time.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >I've grabbed onto the comforter to steady myself cause you've got my hips in your hands and you're pulling me into your thrusts again and again and then your hand is rubbing against my cloth covered clit and I can't possibly be coming again so soon. I can't, I can't, I can't, but I do and maybe it was because I was never really down from the one before, but I don't care because your thrusts haven't slowed. I scream again because it's too good and it's like going insane without the voices.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >And you keep fucking me, Logan, and I want to tell you how good it is, but I can't. All I can do is groan your name. And Logan, I want to tell you how much I like it when you do fuck me - really fucking, not just making love. It may be a standard thing for other people, but I could never let anyone else fuck me, Logan, I'd be too scared.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >You're the only one I could ever trust enough to lose control but not. And I want to tell you all of this, and how when I think about it there's a pain in my chest because I love you so much, but I can't think. You're fucking me. I can only scream. And so I do, over and over again because you're going a little harder now and your hand's back and I'm going insane again and my voice is hoarse.
< 23:XX:XX, 15, s:growl-indet length >
< 23:XX:XX, 8 >I'm whimpering now, and drained, but it's still a moment more before I can feel the heat and hear you yell my name. And you gather me up and pull down the covers and we lay together. Only used half the condoms, but it's my little break and I love you for it. I'm resting with you tight behind me, lying in your arms and there isn't a place more safe on god's green earth than right there. With you.
< 23:XX:XX, 15 >Holy fuck, Marie.
< 23:XX:XX, 8 >Did you come?
< 23:XX:XX, 15 >Oh, fuck, I'm that close, baby.
< 23:XX:XX, 8 >Logan?
< 23:XX:XX, 15 >What, darling?
< 23:XX:XX, 8 >I love you.
< 23:XX:XX, 15 >Oh, fuck. Oh, fuck. Oh, yea, Marie. Fuck yea. Marie.
< 23:XX:XX, 15 >You're gonna get a good hard fucking when you get home, girl. If you can spin that, I've been too damn gentle.
< 23:XX:XX, 8 >Cool.
< 23:XX:XX, 15 >I love you, Marie.
< 23:XX:XX, 8 >I love you too, Logan.
< 23:XX:XX, 15 >Goodnight, darling.
< 23:XX:XX, 8 >Night, sugar.
* * * * *
It was a very long time before Scott moved from his chair.
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